![]() ![]() * Canson Ingres-Vidalon (100g/m²) // 14.You've discovered the fascinating art of Moku Hanga, the Japanese method of wood-block printing. * ECCHU POSTCARD with deckle-edges // 15 cm x 10 cm x 1 * TOSA Surface GAMPI White Roll (160 g/m²) // 14.8 cm x 21 cm x 1 * KAMAKURA Woodcut special paper (75g/m²) // 15 cm x10 cm x 4 * TOSA SHINPU HAINI GAMPI Roll (11-15g/m²) // 30 cm x 40 cm x 1 * KAMAKURA Woodcut special paper (75g/m²) // 19.6 cm x 27.1 cm x 8 (A) Extra Japanese paper set // 5 euro excl.BTW If you need more paper to print your plates yourself, pay 5 euro or 10 euro for the extra Japanese papers (A) or (B) including Kozo, Mitsumata and Gampi papers. * GASENSHI for calligraphy and ink drawing (30g/ m²) // 24.3 cm x 33.3 cm x 1/2 Paper set // test printing (2 euro excl.BTW) * TOSA SHINPU HAINI GAMPI Roll (11-15g/m²) // 15 cm x 10 cm x 2 Japanese gampi paper for drawing the design and transfer onto woodcut plate. The harder the wood species, the finer details are possible, but the good woodcutting technique is also necessary and the price is more expensive than that of Shina Plywood Can also choose the birch or cherry wood. シナベニア Shina Plywood (Tilia japonica): Plywood for woodcut, originally basswood from Japan. * For this workshop, you can get two different kind of plates, one is Shina Plywoodplate (11 cm x 15 cm x 4 mm) and another one is lindenhout plate (11 cm x 15 cm x 5 mm). You can compare the print techniques between etching/engraving, lithography and woodcut prints. * In this workshop, you can get a chance to see the special collections of Dr.Ad Stijnman who is a printmaker and print historian. ![]() You can also learn which Japanese papers are suitable for your way. The last step as Suri-shi 摺師, you make printing inks and afterwards you print this woodcut with a Baren and on different Japanese papers. All this together is the most suitable for making this kind of print works.į irst you make your design as E-shi 絵師 and transfer it onto a wooden plate, next with knives you carve as Hori-shi 彫師. A Baren is a Japanese traditional instrument that is used instead of a printing press. We do this with color ink and Yamato Nori (non-toxic glue) on water-base using horsehair brushes and onto Japanese paper with the Baren. Next we will see the demonstration using ready made plates with beautiful Japanese classic designs as Suri-shi 摺師 to try to print the woodcut plates. Your data will only be used for communication with you and for invoicing, and will not be shared with third parties without your prior consent. You are allowed to find someone in your place if you organise payment yourself and let the organisation know. Please note that your place is only guaranteed after payment is completed.We request that you pay the workshop costs as soon as possible after your registration, or your place may be given away. * Maximum number of participants 6, minimum 4.Īs your registration, please send your message including your name, age, address and mobile number to Yuriko MiyoshiĪfter your registration, you will receive an email with the information for this workshop and an invoice with the bank account for the payment. HISTORY OF MOKU HANGA PLUSIncluding materials, miniflyer, drinks and TAX plus 福袋 Fukubukuro (=Japanese Lucky Bag) with an original Hanga (=print work). ![]()
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